The Story
Five contemporary writers respond to Gustonâs work through imaginative fiction that proves his continual influence on todayâs creative culture
In the short story collection Five Stories for Philip Guston, edited by Emmie Francis and Mark Godfrey, contemporary writers Christopher Alessandrini, Ben Okri, Thessaly La Force, Lou Stoppard and Audrey Wollen have created new fiction in conversation with Philip Guston (1913â80) and his painting. Christopher Alessandriniâs queer, drily witty âMaverick Roadâ brings us to the contemporary environs of Gustonâs upstate haven. Ben Okriâs âBloodymindednessâ is a stark portrait of violence and subversion. In âLooking,â Thessaly La Force writes of the lingering power of painting and reputation with a tribute to Gustonâs exhibition in Veniceâs Gallerie dellâAccademia. Lou Stoppardâs courtroom crucible âA Verdictâ is a study in Kafkaesque atmosphere. Audrey Wollen works deftly with a kind of Oulipo constraint exerciseâGiotto is there, but is Guston himself in âThe Lineâ? Look for him, and he is everywhere.
Paperback | 156 pages | 6.75" x 9.25"
Description
Five contemporary writers respond to Gustonâs work through imaginative fiction that proves his continual influence on todayâs creative culture
In the short story collection Five Stories for Philip Guston, edited by Emmie Francis and Mark Godfrey, contemporary writers Christopher Alessandrini, Ben Okri, Thessaly La Force, Lou Stoppard and Audrey Wollen have created new fiction in conversation with Philip Guston (1913â80) and his painting. Christopher Alessandriniâs queer, drily witty âMaverick Roadâ brings us to the contemporary environs of Gustonâs upstate haven. Ben Okriâs âBloodymindednessâ is a stark portrait of violence and subversion. In âLooking,â Thessaly La Force writes of the lingering power of painting and reputation with a tribute to Gustonâs exhibition in Veniceâs Gallerie dellâAccademia. Lou Stoppardâs courtroom crucible âA Verdictâ is a study in Kafkaesque atmosphere. Audrey Wollen works deftly with a kind of Oulipo constraint exerciseâGiotto is there, but is Guston himself in âThe Lineâ? Look for him, and he is everywhere.
Paperback | 156 pages | 6.75" x 9.25"















